De Min 1893

Alfred Ronner created ‘De Min’ using pen and ink, a technique that allowed for detailed, reproducible imagery. The beauty of pen and ink lies in its directness. Ronner’s skill is apparent in the fineness of the lines, the way he creates a range of tones. The stark contrast between black ink and white paper enhances the scene's drama. The detailed rendering of textures, from the crisp linens to the soft fabrics, gives the image a tangible quality. This work is also an illustration, designed for print production. Ronner was, in essence, a knowledge worker. The choice of pen and ink, with its capacity for reproduction, reflects the growing print culture of the time. The ease with which the image could be circulated ties into a wider social context of increasing literacy, the circulation of knowledge, and the rise of visual culture. By considering the materials and processes, we gain insight into the artistic decisions, and the broader cultural landscape. This challenges any hierarchy between fine art and illustration, revealing the rich artistic merit of works created for popular consumption.