George Washington 1797 - 1800

Robert Field created this miniature portrait of George Washington using watercolor on ivory. This intimate format, popular in the late 18th century, speaks volumes about the era's evolving relationship with celebrity and the rise of a middle class eager to participate in visual culture. Note how the delicate brushstrokes capture the textures of Washington's powdered hair and the subtle gradations of his skin tone. The choice of ivory as a support is significant, too. Its smooth, reflective surface enhances the luminosity of the pigments, while its preciousness elevates the sitter's status. Consider the labor involved in producing such an object, from the sourcing of the ivory to the meticulous application of paint. This was not a mass-produced image, but a carefully crafted likeness intended for private contemplation or display. By focusing on its materials and making, we gain a richer understanding of this miniature as a cultural artifact, revealing the intricate connections between art, craft, and the construction of identity in early America.