Freudian Handclasp, New York City c. 1947 - 1981

Louis Faurer took this photograph, Freudian Handclasp, in New York City. It's a study in grayscale, where light and shadow dance to reveal the textures of fabric and skin. Faurer’s touch feels intuitive, capturing a fleeting moment, a gesture that speaks volumes. I find myself drawn to the hand clutching what appears to be a crumpled napkin, the fingers tense against the soft material. This small detail anchors the composition, inviting us to consider the unseen narrative unfolding between these figures. The suit of the man on the right is so finely detailed. I wonder how long he stood there, waiting for this to happen. The stark contrast between the dark, almost impenetrable, dress on the left and the patterned suit on the right creates a visual tension. It's as if Faurer is playing with the idea of revelation and concealment, mirroring the complexities of human interaction. Looking at Faurer’s work, I am reminded of Garry Winogrand, who found similar inspiration in the streets of New York. Art's like a conversation, always echoing, always responding.