"We live between ourselves, we hate the nuisances and the visits" from Scenes from the Private and Public Life of Animals 1832 - 1852

This lithograph was made by J.J. Grandville in the mid-19th century, and it's printed on paper, a thin and unassuming material that belies its significance. Grandville worked during a time of mass production and he embraced lithography, a relatively new technique at the time, that allowed for images to be reproduced quickly and cheaply. The texture is smooth, with fine lines creating detailed scenes with social commentary. The artist used the printmaking process to engage with themes of social alienation. The amount of labor and skill required to create a lithograph like this shouldn't be overlooked. While the process allowed for reproduction, it still demanded careful execution. Each print involved skilled labor, reflecting broader social issues of the time. By understanding the materials, processes, and social context of "We live between ourselves, we hate the nuisances and the visits", we can appreciate how Grandville blurred the lines between fine art and social critique, and the ways in which art can reflect society.