Vestal Virgin Tuccia n.d.

Vestal Virgin Tuccia, now at the Art Institute of Chicago, was created by Gaetano Gandolfi using pen and brown ink with brown wash on laid paper. The earthy tones and delicate lines are possible because of the artist's knowing use of paper and ink. Gandolfi applied layers of brown wash to create areas of shadow and depth, while the pen work defines the contours of Tuccia's figure and drapery. These weren't industrial materials, but ones made with care and intention, from preparing the paper to mixing the ink. In Gandolfi's time, the late 18th century, printmaking was a widespread industry, and drawings were often made in preparation for engravings. The techniques used here reflect that context, where draftsmanship was highly valued and drawings were seen as both preparatory studies and works of art in their own right. So, next time you look at a drawing, consider the materials, the making, and the social context. It might just change how you see the work, and the world around it.