Saloon Bar by  Edward Le Bas

Saloon Bar 1940

0:00
0:00

Dimensions: support: 883 x 1099 mm

Copyright: © Tate | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: So, this is "Saloon Bar" by Edward Le Bas, residing at the Tate. I'm immediately struck by the melancholy vibe, even with the soft colors. What's your take on this scene? Curator: It feels like a captured moment, doesn't it? The brushstrokes are loose, almost dreamlike. I sense a quiet tension, a world-weariness perhaps, amidst the social setting. Does the woman at the table seem alone to you, even though she is surrounded by others? Editor: Absolutely. There is an interesting contrast between the solitary figure and the blurry mass of people at the bar. What could the artist be saying? Curator: Maybe it's a reflection on the isolation one can feel even within a crowd. It's a subtle commentary on the human condition, wouldn't you say? Editor: Yes, the painting is more profound than it initially seems. Curator: Indeed! It makes me reflect on the moments we find ourselves both surrounded and alone.

Show more

Comments

tate's Profile Picture
tate 9 days ago

http://www.tate.org.uk/art/artworks/le-bas-saloon-bar-n05334

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 9 days ago

Both a painter and an art collector, Edward Le Bas had studied alongside Percy Horton at the Royal College of Art in the mid-1920s and thereafter family wealth enabled him to travel widely. His engagement with the AIA at the time he painted these works led him to participate in the Portraits for Spain scheme. In 1943 he was one of 14 artists commissioned to interpret US President Franklin D Roosevelt’s Four Freedoms speech for the AIA’s For Liberty exhibition, his contribution being Bathers on the Serpentine. Gallery label, September 2024