Penning met portret van Hendrik II, koning van Frankrijk 1683 - 1733

Editor: We’re looking at a drawing from between 1683 and 1733 by Bernard Picart, housed here at the Rijksmuseum. It’s titled “Penning met portret van Hendrik II, koning van Frankrijk”—a portrait of King Henry II of France. The red chalk gives the piece such warmth, almost like he's blushing. What stands out to you about this portrait? Curator: Well, aside from the obvious charm of a king seemingly caught mid-blush – perhaps he was just told a truly terrible joke? – what strikes me is the duality Picart manages to capture. It’s a historical portrait, steeped in the Baroque era's love of ornamentation; look at the detail in the armor! But it also has this immediacy, doesn't it? It's like a fleeting glance, a sketch capturing something of Henry’s essence beyond just regal posturing. It feels intimate. Do you get that sense as well, or am I just projecting romantic fantasies onto a drawing of a long-dead monarch? Editor: No, I feel that intimacy, too. Especially compared to those big, official oil portraits of the time. What’s the story with the laurel wreath, though? Is that a classical reference? Curator: Absolutely! It’s a nod to Roman emperors and a visual shortcut to suggest Henry’s power and status. Think of it as the 17th-century equivalent of a Twitter verified badge... but, you know, way more stylish. But, see, even within that symbol of authority, Picart finds room for nuance. The wreath feels almost casually placed, adding to the sense of him having stolen a moment. Editor: It’s like a royal photo booth snap. I’ll never look at Baroque portraiture the same way again! Thanks for pointing out all the fun details. Curator: My pleasure! It’s these unexpected touches, the wink and a nod hidden within the art that really makes history come alive, wouldn't you agree?