print, paper, photography, ink
paper
photography
ink
Copyright: Rijks Museum: Open Domain
Curator: This "Briefkaart aan Philip Zilcken," dating from sometime between 1910 and 1928, is a fascinating piece of ephemera. It utilizes photography and printmaking on paper, with ink annotations. Editor: It's essentially an old postcard. I find the handwriting charming, and the various stamps and postal markings feel like a peek into the past. What do you see in it? Curator: Beyond the obvious function of correspondence, I see a commentary on the burgeoning culture of mass communication and the industrial processes supporting it. This wasn't simply a note; it was a manufactured object, relying on resource extraction and logistical networks for production and distribution. Note the material differences – the printed text versus the hand-written address. This reflects social layers inherent in the communication. Editor: So, you are less interested in what the message *says* and more in the context of its *making*? Curator: Precisely. Consider the labor involved: from the papermakers to the postal workers. Also, note the material's survival – its relative condition says a great deal about preservation, the economy of collecting, and maybe even something about the discard culture. What do we value enough to save? Editor: That makes me look at it in a totally different light! I was initially caught up in its quaint aesthetic, but now I'm considering it as a product of complex industrial and social forces. It is kind of a document about labor, materiality and consumption combined into one. Curator: Exactly. A simple postcard reveals a whole world. Editor: Thank you. This perspective makes history much more material, no pun intended!
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