Assumption of the Virgin 1842

Monogrammist NL created this pen and black ink drawing, "Assumption of the Virgin" sometime in the 1800s. Here, the Virgin Mary is centered in the composition, hands clasped in prayer, rising from her tomb into heaven. But who was Monogrammist NL and in what social environment was this drawing made? The "Monogrammist" part of this artist’s name suggests that the artist is unknown, and his works are identified by a distinctive monogram, or a combination of letters, used as a signature. The drawing's composition, with Mary surrounded by architectural elements, suggests that it may have been a preparatory study for a stained-glass window. It reflects the period’s fascination with medieval art and architecture, part of a broader cultural movement that saw a revival of interest in Christian themes. Resources in the Met's libraries and archives might reveal more about the cultural context of this drawing and the religious institutions that commissioned such works.