Seated Man Holding a Jug by Anonymous

Seated Man Holding a Jug 1600 - 1700

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drawing, print, pencil

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portrait

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pencil drawn

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drawing

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medieval

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print

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charcoal drawing

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figuration

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pencil drawing

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pencil

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men

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portrait drawing

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genre-painting

Dimensions: 12-7/16 x 8-7/16 in. (31.6 x 21.5 cm)

Copyright: Public Domain

Curator: This is "Seated Man Holding a Jug," a drawing believed to be from sometime between 1600 and 1700. Editor: It has a certain quiet desperation about it. The man's posture and downcast gaze really communicate a sense of weariness. Is it pencil or charcoal? It is interesting how the folds in his clothes feel more central to the artist than his face, somehow. Curator: The artwork is rendered in pencil, as you guessed. Considering its time, one might speculate on the ready availability and production of such drawing materials and their accessibility to artists, affecting broader workshop practices. Notice the quality of line and the relative economy with which form and light are described. Editor: Absolutely, that makes sense. The depiction of the seated man invites commentary about the material conditions and class status represented within the piece itself. How might his garment speak of labor practices in the early modern period? Is he part of the new poor following changes to land laws? What labor constructed the jug? Curator: Those are relevant entry points to this kind of image. The focus here may have been not on portraying a specific person or historical event, but in honing the artist's skills in figuration and representation of certain textures: the rough fabric of the man's clothing, the smoothness of the jug. Editor: Precisely, and to continue the interrogation of that smoothness—the contrast with the figure’s obvious physical struggle asks us to examine how different lived experiences get valorized, or not, in the visual arts. What labor has polished it and kept it safe, unlike the weary man who relies upon it. Curator: A useful angle! We could go further and examine the commerce of prints and drawings and consider the market for genre scenes. Editor: That is right, because the material reproduction itself would become part of that social distribution of suffering. So that's definitely something to continue to research. Thanks for this opportunity! Curator: A pleasure. Thank you!

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