Designs for Jewelry before 1697

These are designs for jewelry, made by Christian Engelbrecht, printed on a sheet, now held at the Art Institute of Chicago. In Engelbrecht’s time, sumptuary laws dictated who could wear what, reinforcing class distinctions. This print provides a glimpse into the aspirations and identities of the wealthy elite, offering a range of ornamental designs, from the regal to the ornate. Imagine the emotional weight attached to these jewels, symbols of power, love, and remembrance. The presence of royal monograms, often encrusted with diamonds or pearls, reflected the wearer's allegiance to the monarchy and their status within the court. The semi-circular design could adorn a bodice, framing the wearer's face. Engelbrecht’s work is a reflection of the cultural values and societal structures of his time, where personal identity was often intertwined with material possessions.