Courtesan Going to Bed, from the series "Ten Types of Beauties in Pictures (Jittai e-fuzoku)" c. 1794
print, woodblock-print
portrait
asian-art
ukiyo-e
figuration
woodblock-print
genre-painting
erotic-art
Dimensions: 39.2 × 25.8 cm
Copyright: Public Domain
Editor: Here we have Torii Kiyonaga's woodblock print, "Courtesan Going to Bed, from the series 'Ten Types of Beauties in Pictures'," created around 1794. The scene feels intimate and quietly theatrical. What story do you see being told in this image, thinking about its original audience? Curator: It's crucial to remember that Kiyonaga's Ukiyo-e prints weren't simply personal expressions. They were part of a complex social and economic system. These "beauties" represented idealized versions of women, often courtesans, for a primarily male audience. They offered a glimpse into the pleasure quarters and fuelled desires and fantasies. Editor: So it was a carefully constructed image catering to a particular male gaze? Curator: Precisely. Consider how the courtesan's pose and attire—her partially disrobed state and graceful gestures—are presented. These elements, along with the luxurious setting implied by the patterned fabrics, project status and desirability. Even the inclusion of another woman, perhaps an attendant, deepens this narrative. How does understanding this inform your view of the work? Editor: It definitely complicates it. I initially saw just a serene scene, but now I'm more aware of the power dynamics inherent in its creation and consumption. It wasn't just about depicting beauty, but also reinforcing social hierarchies. It’s interesting that what seems sensual today might have actually played a political and institutional role back then. Curator: Exactly. The politics of imagery are always context-dependent. Understanding that historical frame lets us avoid superficial appreciation and allows a richer interpretation. We become sensitive to how cultural values shaped its production, and to what degree our reception today challenges or simply extends those dynamics. Editor: This print offers so much more when we delve into its context. Thanks for shining a light on the unseen social narrative of this art! Curator: A deeper appreciation comes when you learn more!
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