Andiron (one of pair) by Hans Korsch

Andiron (one of pair) c. 1936

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drawing, metal, pen

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drawing

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metal

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old engraving style

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pen

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academic-art

Dimensions: overall: 29.3 x 22.2 cm (11 9/16 x 8 3/4 in.) Original IAD Object: 20 1/2" high

Copyright: National Gallery of Art: CC0 1.0

Curator: Allow me to introduce "Andiron (one of pair)", a drawing in pen and metal from around 1936 by Hans Korsch. Editor: It possesses a strangely melancholic elegance. The interplay between the meticulous detailing in pen and the gleam of the imagined metal suggests a fascinating contrast of craft and raw materiality, no? Curator: Indeed. Consider the broader context: during the interwar period, designs for functional objects became vehicles for both national identity and aspirations for modernity. This piece exemplifies how domestic life was being reimagined. Editor: It is all in the meticulous rendering; the use of shadowing and varied lines grants an oddly vivid presence. Notice how Korsch used curvature and the golden metal to give the impression of fluidity that is striking given its stationary domestic role. Curator: The academic style speaks to the era’s emphasis on both classical forms and industrial possibilities. The andiron becomes more than a mere fireplace tool. It’s a statement of cultural ambition, mirroring contemporaneous debates about tradition versus innovation. Editor: One has to consider that Korsch provides us two renderings side by side; one appears sketched in contour, the other is lushly detailed in light and shadow. To that end, does one capture our eye more? Which one suggests materiality best? Curator: Precisely. Its form, though decorative, suggests functionality and industrial efficiency. These designs provided comfort and aspiration. They hinted at an accessible future. Editor: Korsch gives so much presence to what would become an easily-overlooked domestic object, elevating it and causing one to notice. The details are small, and it requires attentive looking, and therein lies a part of the genius of this piece. Curator: Seeing this today, we get a glimpse into the ideals of a time when design promised a bridge to a brighter world, a world that never quite came to be. Editor: Yes, a remarkable piece that blends practicality with symbolic intent. A simple but very rich observation!

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