Algemeen Handelsblad by Algemeen Handelsblad

Algemeen Handelsblad Possibly 1937 - 1939

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print, textile, photography

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newspaper

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print

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textile

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photography

Dimensions: height 60 cm, width 45 cm

Copyright: Rijks Museum: Open Domain

Curator: This newspaper, "Algemeen Handelsblad," likely printed between 1937 and 1939, strikes me immediately as a potent intersection of material and message. The stark monochrome print and the inclusion of photography are striking given the limitations of production at the time. What manufacturing and social elements jump out at you? Editor: Well, the photograph dominating the page—a portrait of the Queen—feels like a statement itself. I mean, what kind of labor was involved in typesetting and image reproduction in those days? Was this widely circulated? Curator: Precisely. The means of production here—the physical labor, the printing technology, the paper itself—dictates the form and the reach of the message. Think about the consumption of newsprint during this period; what did people do with them once they were read? Newspapers like these also served as primary source historical documents; does that transform our experience of them? Editor: Right. People weren't just consuming the news; they were handling a tangible object created through specific, material processes and existing within definite class relations! Was the choice of image carefully chosen? Curator: Undoubtedly. Photography held a very different cultural weight than it does today. Including a photo of the Queen granted authority, while simultaneously reminding its readership of royal patronage of their material conditions. To show the monarchy in the medium most closely aligned with a kind of modern verisimilitude would itself signal power, influence, control... The materiality of "truth". Editor: I see it more clearly now. Examining how the physical materials and production methods intertwine with the content gives it all a deeper significance. The labor embedded in creating something like this is really something to consider. Curator: And perhaps how these material constraints influenced artistic movements or ideological biases during that period as well.

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