Double Study of Dawn, Moorea Seen across the Water, Tahiti 1891

John La Farge made this watercolor, "Double Study of Dawn, Moorea Seen across the Water, Tahiti," using paper and pigment. La Farge dilutes his pigment with water, creating a layered effect of light and shadow. The washes of color blend seamlessly, reflecting the light and the atmospheric perspective of the sea. The sketches reveal La Farge’s interest in capturing the fleeting moments of dawn. This work showcases an interest in the sensory perception of a location. Watercolor as a medium has historically been seen as less important than oil painting. Here, La Farge elevates it through his artistic skill and the quality of light he captures. His sketches are evidence of the growing interest in Impressionism, where the emphasis is on momentary impressions of light and atmosphere. By valuing the material qualities and experimental techniques, we recognize that these sketches aren’t just preparatory studies. They are complete works of art that challenge traditional hierarchies of art and craft.