folk-art
folk-art
geometric
fabric design
Dimensions: overall: 29.9 x 22.9 cm (11 3/4 x 9 in.) Original IAD Object: 78" wide; 75" long
Copyright: National Gallery of Art: CC0 1.0
Curator: Welcome. Today, we will be discussing George Loughridge's "Patchwork Quilt," crafted around 1936, a splendid drawing of a proposed textile. Editor: My first impression is one of quiet domesticity—there’s a comforting, repetitive rhythm to the geometric pattern that soothes the eye. Curator: Indeed. Let's look closer. The artwork presents a quartet of interconnected geometric motifs—alternating, it appears, between solid forms and outlined ones, connected via rounded elements at each corner. It demonstrates principles in geometric abstraction and surface design, using the circle and oval to create something unique. Note the lower corner containing an image of the original colored fabrics for a quilt patch. Editor: Absolutely, it’s crucial to contextualize this work. The era was one of economic hardship, and these skills allowed people to create beauty and utility from meager means. Domestic arts, such as quilt-making, served as sites of resistance and communal power, particularly for women. The intersectionality of art and life really comes to the surface in folk-art practices like this. Curator: Yes, there's the formal construction of the drawing itself. The interplay of red and off-white grounds the geometric design, allowing our eyes to move smoothly throughout its parts. In studying pattern design, it invites reflection on spatial relations between geometric elements—a semiotic encoding. Editor: But let’s not overlook how the pattern becomes symbolic. Red can be interpreted as evoking notions of hearth and home. Repetitive designs and quilting itself act as metaphors of connection, community, memory and resistance that connect lived experience to acts of making. Curator: A compelling analysis. And consider how the drawing offers visual instruction into a specific construction technique. The repetition is important here as it relates directly to its form, both conceptually as we interpret meaning in its creation. Editor: Precisely, which underscores that making something beautiful and useful holds social significance, too, for many underserved people. Curator: "Patchwork Quilt" shows that geometric relations within design can communicate many messages from formal construction to personal or cultural expression. Editor: Exactly, art can represent both the beauty and resilience in human existence, often at once.
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