Brief aan Jan Veth by Cornelis Gerardus 't (1791-1871) Hooft

Brief aan Jan Veth Possibly 1902 - 1912

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drawing, paper, ink, pen

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drawing

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amateur sketch

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pen sketch

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incomplete sketchy

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hand drawn type

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paper

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personal sketchbook

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ink

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ink drawing experimentation

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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sketchbook art

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calligraphy

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Brief aan Jan Veth," a letter penned sometime between 1902 and 1912 by Cornelis Gerardus 't Hooft, using pen and ink on paper. The calligraphic style is really beautiful. I am fascinated by this sketch of personal correspondence. What aspects of its creation strike you most? Curator: Given that this appears to be a letter draft rather than a finished piece, it prompts us to consider the labor involved in correspondence during this period. The ink, the pen, and the paper were commodities; the act of writing itself involved time and effort. Who were Jan Veth and Cornelis Gerardus 't Hooft in relation to one another, and how does their social context inform the letter's contents? Editor: That's a great point about the social relationship informing the text! The material reality definitely shaped that process, it looks so precise and difficult! Can the type of ink affect our analysis? Curator: The choice of ink can tell us something. Was it readily available, or a more expensive import? Its permanence, or lack thereof, affects the lifespan of the document and its legibility today. The physical act of applying the ink reveals a type of craft. Was this simply functional, or was there pleasure derived from its use? It highlights the link between high art and everyday practices, because it's a practical work being rendered with care. Editor: This emphasis on materiality offers a fascinating perspective on something as seemingly simple as a handwritten letter. It emphasizes that there’s no way to dissociate material factors from the cultural factors in play, which brings about so many levels to appreciate in this work. Curator: Precisely. It brings our attention back to the processes of production and the often overlooked material realities shaping our lives.

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