Figuurstudies 1875 - 1934

This drawing of figure studies by Isaac Israels looks like it was made with graphite or charcoal, and is all about capturing the essence of figures in motion. I like to imagine Israels rapidly sketching, his hand moving quickly to capture a fleeting moment, a gesture, or a particular posture. I’m feeling what he’s feeling, trying to capture the essence of these people, observing their interactions, their solitude, and the rhythm of their movements. Look at how Israels uses the varying weight and speed of the lines to suggest movement. I’m particularly drawn to that figure in the middle, shrouded in dark marks – it’s like they are walking into the unknown. The image reminds me of Degas and Toulouse-Lautrec who were also interested in capturing a snapshot of contemporary life. As painters, we are all in an ongoing conversation and exchange of ideas across time, inspiring one another’s creativity. Painting becomes a form of embodied expression which embraces ambiguity, allowing for multiple interpretations.