John Erskine (1721–1803) 1801

This relief in white glass paste, made by William Tassie, immortalizes John Erskine, a prominent figure of his time. The wig, meticulously curled, speaks volumes of status and adherence to societal norms. It echoes the elaborate hairstyles seen in Roman busts, yet here it signifies not imperial power but intellectual authority. Consider how such a wig reappears in portraits across Europe, a symbol adopted and adapted, reflecting a desire to connect with the grandeur of the classical world. The wig, initially a practical solution, transformed into a performative declaration of one's place in society. The profile pose too, is an interesting choice. It links back to ancient coins and cameos, evoking a sense of timelessness and historical importance. It's as if Erskine is being presented as a figure worthy of remembrance, much like the emperors of old. Observe how such symbols and motifs transcend mere representation, engaging with our collective memory and subconscious associations. It is in this cyclical return and reinterpretation that we find the enduring power of images.