Rustende schaapherder met ezel by Simon van den Berg

Rustende schaapherder met ezel 1822 - 1891

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drawing, paper, pencil

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drawing

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natural tone

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light coloured

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landscape

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paper

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pencil

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genre-painting

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realism

Dimensions: height 269 mm, width 401 mm

Copyright: Rijks Museum: Open Domain

Curator: What a serene landscape! The light coloured, almost monochromatic tones create a very quiet atmosphere. Editor: Yes, a peacefulness pervades this scene, but I wonder about the implied labor involved. It is quiet, yes, but maybe also erasing something of the realities of pastoral work? Curator: The work is entitled "Resting Shepherd with Donkey," created by Simon van den Berg in the 19th century. It's a pencil drawing on paper, so the natural tones we observe are inherent in the medium. Editor: The symbolism is fascinating here, a commentary perhaps on man’s dominion over nature, carefully orchestrated and… male. I also read a lot of potential for class commentary here; are the realities of the working class idealized and therefore further diminished by representations such as these? Curator: The motif of the shepherd has long been symbolically associated with spiritual guidance, echoing classical pastoral themes. He looks to me as if he might be weary or ill and the scene reminds me more of death than dominion. His relationship to the sheep and even the donkey—beasts of burden—reflects the shared burden of existence, perhaps even our own vulnerability. Editor: Interesting. I hadn’t thought about that angle. Still, I return to the absence. What is unsaid in these images? Curator: I suppose it prompts us to look beyond the surface, to acknowledge what's intentionally and unintentionally communicated, reflecting our own biases as viewers too. Editor: Precisely. Recognizing how images participate in, or push back against, the societal frameworks of their time opens valuable discourse. Even seemingly simple scenes like this are never entirely without politics. Curator: The art can invite different readings across eras. What seems idyllic can equally suggest confinement or neglect, prompting us to examine our relationship to images as carriers of cultural values. Editor: And that perhaps is what makes engaging with art worthwhile. Seeing how a simple pencil drawing from the 1800’s, of a shepherd asleep with his animals can reveal so much. Thank you for revealing that with me.

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