Penning uitgereikt aan deelnemers van het internationaal kunstenaarscongres in Gent, 1913 1913

Editor: Here we have a metal relief sculpture, a commemorative medal created in 1913 by Godefroid Devreese, to recognize participants in the International Art Congress in Ghent. The design appears allegorical and very much in the Art Nouveau style. What is your reading of this piece? Curator: The piece offers a compelling study in contrasts. Consider the duality present in the very medium: a rigid metal worked to create flowing, organic forms emblematic of Art Nouveau. The circular format reinforces this sense of enclosure and interiority, drawing focus to the figures. Note how Devreese balances positive and negative space, the depth of the relief itself. How does that play with your understanding of it? Editor: I suppose the high relief against the flat background really does throw those figures into prominence and somehow monumentalizes the scene. I’m drawn to the depiction of figures and the contrast in their posture, one standing the other seated, can you say something about that? Curator: Indeed, observe the interaction between the standing figure, presumably representing Art, and the seated figure, possibly symbolizing the recipient of the award. The dynamic composition encourages the eye to travel within the circular plane, emphasizing the relationship and shared connection. Do you observe anything about their relationship? Editor: Yes, Art is in command, holding implements for display but nonetheless sharing its gift and power to a figure hunched down to receive the reward. Curator: Precisely. A potent representation captured within the confines of this coin. Editor: I hadn't really considered the relationship until you prompted that close look at how the composition directs the eye. I see how important close, sustained attention is in art. Curator: Indeed, such exercises in pure seeing are key to visual literacy. A rewarding encounter.