Mrs. Carnac 1915

This engraving, *Mrs. Carnac*, was made by Timothy Cole, we don't know exactly when. The whole image vibrates with these tiny marks that build up to describe the texture of her dress. Look at the way Cole uses short, controlled strokes to create depth and volume, especially in the folds of Mrs. Carnac's elaborate gown. It's like he's mapping the surface with light and shadow, giving it this almost tactile quality. I'm drawn to the way he defines her face with such delicate lines, capturing this sort of serene expression. It's subtle but powerful. Thinking about his process, I think it shows how a conversation with the material can lead to a work that feels both precise and alive. It makes me think of Vija Celmins and her obsessive approach to mark making. Both are so different, but united by this attention to surface. Ultimately it's these quiet, repetitive gestures that transform a flat surface into something full of depth.