Apostel Petrus 1646

Curator: Let’s take a look at "Apostel Petrus" by Christoffel van Sichem II, crafted in 1646. It's an engraving, currently residing here at the Rijksmuseum. What strikes you when you first look at it? Editor: He looks up, yearning! Is it enlightenment, or just a really interesting bird? I find the swirling line work strangely calming. But also, there is a feeling of solemnity about the saint, what is your impression? Curator: Yes, Sichem’s image is a carefully constructed portrayal. Saint Peter holds the keys to heaven – visually suggesting authority and divine permission, of course, but that is what keys have stood for throughout the times! Notice the scripture below the image reinforces the theme of celestial power and dominion, very powerful combination! Editor: Keys as permission slips! I never thought of it that way. What strikes me too, about these types of images, is the halo... a bit like those beaming smartphone notifications we all get now, drawing our attention upwards. Except in Saint Peter's case, it's divinity pinging him. It shows the image has emotional power, like memory palaces filled with symbols... Curator: I completely agree; they’re symbols ingrained in our visual language. Sichem uses the Baroque style beautifully, infusing emotional intensity with meticulously detailed linework. You can almost feel the weight of responsibility etched into Peter’s face and see it in the folds of his cloak. He gazes upward for inspiration, advice maybe. Editor: He looks wise but…troubled? Those heavy lines make it clear this saint has seen a thing or two. What could this be symbolizing? The burdens of faith, perhaps? His inner struggles or is this wishful projection from me? I love how art makes you feel like an interpreter, or a dream analyst! Curator: Art indeed does that, but it could be both! I mean, it certainly invites reflection on one's faith. Considering the context of the time, during the aftermath of the Reformation, Sichem may want to suggest Peter’s unwavering faith by all the objects and visual cues. Editor: Well, whether it's spiritual yearning or Baroque drama, it seems "Apostel Petrus" makes a solid argument for looking up – even if just to ponder art and symbols. Curator: Indeed, a small image but it can really speak volumes.