Verkoper van zwavelstokken 1769 - 1838

This is an etching of a sulfur matchstick seller by Carlo Lasinio, made sometime between the late 18th and early 19th century. Lasinio's portrayal offers a glimpse into the lives of the working class in Venice, Italy, during a time of significant social and economic change. This vendor, likely a man of humble means, carries a heavy sack full of matchsticks, his posture reflecting the burdens of labor. His clothing, while not ragged, suggests a life of toil rather than leisure. The setting of Piazza San Marco is a reminder of the disparities of wealth and class in Venice at the time. The text below the image translates to: "De Petriol Sen Crucie and San Domnino - Who wants the Zoffanelli for the Camino", which shows how he would have advertised his goods while walking around town. Lasinio’s attention to detail invites contemplation on the lived experiences of those often overlooked in grand narratives of history. How does this portrayal challenge or reinforce the viewer’s understanding of labor, poverty, and social hierarchy in 18th and 19th century Venice?