And man said... Let there be God c. 20th century

Curator: Donald J. Handel's intaglio print, "And man said... Let there be God," presents a fascinating, layered composition. What strikes you immediately? Editor: It feels dense, almost claustrophobic. The stark contrast of the black ink on the paper creates a powerful, unsettling mood. What process was used to make this print? Curator: The artist used an etching process, manipulating a metal plate to hold ink. The act of biting into the metal gives the lines a unique quality, allowing for tonal variation. Note how some marks appear heavier than others. Editor: The raw, almost primitive style of the figures, combined with the fine detail of the printmaking, creates an interesting tension. The materials and technique are central to its impact. Curator: Indeed, the composition and figures within each frame suggest themes of creation, relationships, and perhaps even confinement within imposed structures. Editor: I'm drawn to how the medium’s nature contrasts with the lofty subject matter. It emphasizes the human element in the act of creation, both divine and artistic. Curator: Precisely. Thank you, that was insightful. Editor: Likewise; a powerful piece, carefully crafted.