Mijmerende man in een leunstoel by Willem Wenckebach

Mijmerende man in een leunstoel 1870 - 1937

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drawing, paper, ink

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portrait

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drawing

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paper

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ink

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genre-painting

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realism

Dimensions: height 326 mm, width 238 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is Willem Wenckebach’s "Mijmerende man in een leunstoel," placing it somewhere between 1870 and 1937. It's an ink drawing on paper, and there’s something really pensive and intimate about the scene. What do you see in this piece, from a symbolic standpoint? Curator: Immediately, the window strikes me as a powerful motif. Windows, throughout art history, frequently represent transitions, hope, or even confinement. Here, the man gazes outward, yes, but the darkness pressing around him and inside the room is unavoidable. What era would you guess this artwork may relate to through these iconographic observations? Editor: I hadn’t considered the darkness like that… Maybe connected with fin-de-siècle anxieties? There's that interiority, a searching quality that reminds me of symbolist poetry. Curator: Precisely. He’s caught in that liminal space of modernity, between tradition and uncertainty, and his folded hands –almost in a prayer-like position– emphasize this. What’s he asking? Also notice the choice of ink, adding to the serious mood in the piece, and emphasizing the passing of time with a faded quality. Editor: The sandals are also an odd choice. Is he too relaxed, or do they represent being stuck? Also, ink drawings give us the sense of immediacy and preliminary exploration; should we regard this as an idea still being processed, therefore aligning to the feeling of the sitter? Curator: The sandals definitely introduce a feeling of informality. That may play with our reading of this figure: A moment of contemplative pause during busy activity. How many narratives does it hold for the viewer? What hidden cultural values did you notice in Wenckebach's piece today? Editor: So, this image captures someone grappling with a specific moment and its relationship to their cultural position and values. It's fascinating how the simplest details open to a larger discourse. Curator: Indeed. Each element works as an access point to a world of cultural and emotional significance and historical awareness. I'll never look at sandals the same.

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