Lidded Tobacco Jar c. 1930

Editor: This is Michel Cardew's "Lidded Tobacco Jar," held at the Tate. It feels quite grounded and earthy. What stands out to you formally? Curator: Note how the artist employs horizontal bands to visually anchor the rounded form of the jar. The glaze pools and thins, creating a dynamic interplay of light and shadow that enlivens the surface. Do you observe how this affects your perception? Editor: I see! The variations in the glaze do add depth and visual interest. The abstract motifs also seem to disrupt the static nature of the bands. Curator: Precisely. The curves of the decorative elements contrast with the rigidity of the lines, creating a formal tension. A sophisticated dialogue between form and surface. I'm glad you noticed that. Editor: Thank you. I had not considered that before.