Bill George, Pitcher, New York, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

Bill George, Pitcher, New York, from the Old Judge series (N172) for Old Judge Cigarettes 1887 - 1890

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Dimensions: sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Copyright: Public Domain

Curator: This is "Bill George, Pitcher, New York, from the Old Judge series," a baseball card produced by Goodwin & Company between 1887 and 1890, now held at the Metropolitan Museum of Art. Editor: It's captivating! The sepia tone gives it a nostalgic feel, almost dreamlike. There's an incredible sense of motion, even though it’s a still image. His extended arm and poised stance make me want to lean in, wanting to see the pitch. Curator: Exactly. These cards were inserted into Old Judge Cigarettes packs, capitalizing on the growing popularity of baseball. They represent an early intersection of sports, celebrity culture, and commercial enterprise. We are looking at a photographic print, mass produced, yet highly valued as collectables back then and certainly today. Editor: The baseball player's image evokes archetypes of masculinity and athleticism of the period. It reminds me of early ukiyo-e prints; a singular heroic figure dominating the frame with an almost mythic presence. And considering its original context as a promotional item for cigarettes, it suggests a connection between athleticism and perhaps unhealthy habits, interesting juxtapositions there! Curator: That contrast is crucial. While promoting health through sport, it simultaneously promoted a product detrimental to it. These images helped construct idealized versions of these athletes, contributing to their fame and the cultural mythology surrounding baseball in America, establishing visual paradigms still echoing today. Editor: Indeed. The image almost looks hand-tinted too, drawing me towards the symbolism of a burgeoning national pastime becoming intrinsically connected with capitalism and consumer culture, all visualized on a card meant to be fleeting, but has remained. Curator: Yes, the fleeting nature against the permanence of image. The layering of commerce and culture continues to be pervasive. Thank you for sharing such perceptive reflections. Editor: Thank you. Thinking about this card as a tiny monument really shifted my perception.

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