Dimensions: support: 121 x 161 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Richard Wilson's "Composition, View of a Town with Trees," a small drawing from the Tate. The charcoal feels very immediate, capturing a sense of place. What do you see in it? Curator: Let's consider the availability of charcoal in 18th century England. Was it mass-produced, or locally sourced? This would inform the artist's process. Did Wilson prioritize readily available materials over, say, imported chalk? Editor: That's a great point! It makes me consider how the artist's choices were shaped by the materials at hand and their social implications. Curator: Exactly! Thinking about the means of production opens up a whole new understanding. Editor: Thanks, I learned a lot from your perspective!
Comments
http://www.tate.org.uk/art/artworks/wilson-composition-view-of-a-town-with-trees-t09254
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Wilson frequently drew in black chalk on tinted paper. He also made extensive use of stump, a small cylinder of soft chamois leather or paper used for smudging chalk, charcoal or pencil. The mid-tones in Wilson's drawings were created by his use of a pre-prepared paper coated with grey washes. In this work he first applied the chalk quite broadly, later smudging with a stump. Fine black chalk outlines have been added over the stump work to define and strengthen the form. Subtle white highlights added in the sky provide further atmospheric effects. Gallery label, August 2004