The Actor Ichikawa Omezo I as Koyurugi Motomenosuke (?) in the Play Haru no Nishiki Date-zome Soga (?), Performed at the Nakamura Theater (?) in the First Month, 1790 (?) c. 1790

This woodblock print, made in Japan around 1790 by Katsukawa Shunko, depicts the actor Ichikawa Omezo I in character on stage. The image’s cultural significance lies in its representation of Kabuki theatre, a major form of entertainment during the Edo period. Kabuki, with its elaborate costumes, stylized movements, and dramatic narratives, was a powerful social force. While enjoyed by all classes, it often faced censorship from the ruling shogunate due to its potential for social commentary and perceived moral laxity. Prints like this one served as popular souvenirs and a way for fans to connect with their favorite actors and performances. The actor's pose, costume details, and even the theater name, all create meaning within this cultural context. To understand this artwork fully, we can examine theater records, censorship policies, and the biographies of actors and artists. By exploring these sources, we gain insights into the complex relationship between art, entertainment, and social control in Edo-period Japan.