Banknote motif: oval lathe work ornament resembling a lace ruff 1819 - 1847

Curator: I find myself drawn to the hypnotic repetition, like staring into a kaleidoscope reflecting something precious. Editor: This, my friend, is "Banknote motif: oval lathe work ornament resembling a lace ruff." Crafted sometime between 1819 and 1847 by Cyrus Durand. Currently, this intriguing drawing calls the Metropolitan Museum of Art in New York home. Curator: Banknote motif... a very important message is attached here about money, power, secrets of society. This object feels so austere. The colour palette, that pale celadon. Very controlled. The eye shape in the centre really grounds the message for the elite and the few to control. I am feeling the pressure now of just looking at it. Editor: Absolutely. Its function as an ornamental design hints at how even currency embraces symbols of status, echoing visual motifs from clothing, lace or architecture that once signaled prestige and exclusivity. In this image it’s really saying something more about security of the elites, by the elites for the elites. Durand was embedding symbols. Curator: The intricate detail, it speaks volumes about the lengths one goes to ensure security... but security against what, or whom? It's almost unsettling when viewed outside its original context. This emblem, when placed upon currency, immediately creates and broadcasts power. But what of now? In today’s world? Where has this image migrated to, and why? I'd love to explore all that with the youth of today. What a concept and challenge! Editor: That question makes me reflect on how images evolve and outgrow their intended usage. This object offers an interesting commentary on symbols, currency, power... food for thought about who defines worth and value. Curator: I can think about this artwork for weeks. Let’s come back soon! Editor: Indeed! A potent symbol for those prepared to decode it!