Visit to an Oil Field in Purissima Hills, USA Possibly 1908
photography, gelatin-silver-print
landscape
photography
gelatin-silver-print
genre-painting
realism
Dimensions: height 100 mm, width 74 mm, height 363 mm, width 268 mm
Copyright: Rijks Museum: Open Domain
This photograph, "Visit to an Oil Field in Purissima Hills, USA," taken by Geldolph Adriaan Kessler, captures a moment brimming with human endeavor. The sepia tones evoke a sense of time suspended, a world where the promise of industry meets the rawness of the landscape. I imagine Kessler, squinting against the sun, framing this shot. What was he thinking as he captured this scene of labour and ambition? The towering wooden structure, a derrick, dominates the view, a skeletal giant reaching for the sky. There's a tactile quality to the image, the rough-hewn beams, the sun-baked earth, and the men in their hats and suits, observing. Kessler's photograph shares something with the early industrial landscapes of painters like Charles Sheeler, a fascination with form and the stark beauty of functional structures. Artists respond to their times and to each other; they are in constant conversation and exchange of ideas across time. This photo is not just a record but also a form of embodied expression which allows for multiple interpretations.
Comments
In 1908 Kessler accompanied the director of Koninklijke Olie (Royal Dutch Petroleum Company, later Shell), Henri Deterding, as secretary on a world tour. He travelled to Canada and the United States via the Dutch East Indies, Singapore, China, and Japan. Dolph’s photo album contains pictures of an oil field in California, as well as San Francisco’s town hall which had collapsed during an earthquake.
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