George Hendrik Breitner made "Vrouwenhoofd" with pencil on paper, and it now lives at the Rijksmuseum. I love how minimal it is, a study in essential marks. It's like Breitner is thinking through the form in real-time, with us watching over his shoulder. There's something so immediate about seeing the graphite on the page, the texture of the paper showing through the marks. It's not about perfection or realism, but about capturing a fleeting impression. Look at the area around the figure’s chest, it’s barely there, just a smattering of graphite rubbed into the page. That smudging evokes the way a memory can be at once clear and hazy, present but fading. Breitner reminds me of Degas in his interest in the figure, both share this commitment to process. But while Degas’ drawings are precise, Breitner’s are ephemeral. It’s a reminder that art doesn’t have to be grand or imposing, it can be a quiet conversation between the artist, the subject, and us.