Pitcher c. 1936

Editor: We are looking at "Pitcher", circa 1936, a watercolor drawing by Edward White depicting a ceramic pitcher. It strikes me as being incredibly delicate and almost ethereal. How do you interpret this work? Curator: This image speaks volumes about the context in which it was created. The seemingly simple pitcher gains relevance when understood through the lens of the Great Depression. Everyday objects became symbols of resilience. Do you see the red floral motif, quite common in mass produced decorative pieces? Editor: Yes, the red flowers are charming! Curator: Mass production democratized art in a way, bringing affordable design to more people. The image becomes more than just a pitcher. It's a commentary on accessible design. This particular artist rendered the form and subtle surface variations by working with both pencils and watercolor paint. Editor: It is interesting to think about this image in terms of democratization of art. It gives the object a broader significance, I think. Did the public appreciate the connection back then? Curator: Certainly. Public art programs, heavily encouraged and funded by the government at the time, reinforced the idea of art belonging to everyone, and reflecting their daily experiences. This watercolor painting style could be considered modern design. And the object refers back to craft. Editor: This piece really highlights the idea of art as a mirror reflecting society's values, then. It makes me consider my own values. Thanks. Curator: Precisely. Considering art within historical narratives really brings the image to life.