Beleg van Orléans, 1563 1570

Jean Perrissin made this print, "The Siege of Orléans," in 1563 using engraving, a process of incising lines into a metal plate. Consider the labor invested in this work. Each line, each mark, was meticulously carved by hand. Perrissin's skill transforms a rigid material into a scene teeming with life, capturing the chaos and intensity of battle. Notice how the density of lines creates areas of shadow, giving depth to the composition. The print medium itself democratized images, making them accessible to a wider audience. This was essential during times of political and religious upheaval, like the French Wars of Religion depicted here. Perrissin wasn't just an artist; he was a communicator, using the craft of engraving to disseminate information and shape public opinion. By understanding the materials and making of this print, we gain a richer appreciation of its historical context and cultural significance. It's a reminder that art is not just about aesthetics; it's also about labor, technology, and the power of images in society.