Daedalus en Icarus by Johannes of Lucas van Doetechum

Daedalus en Icarus 1570 - 1574

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print, engraving

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print

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landscape

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mannerism

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figuration

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line

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history-painting

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engraving

Dimensions: height 203 mm, width 294 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this engraving from the late 16th century, "Daedalus and Icarus" attributed to Johannes or Lucas van Doetechum currently held at the Rijksmuseum, I am immediately drawn to the dense network of fine lines. Editor: My first thought is tragedy. The stark contrast, that turbulent water... it's an atmosphere charged with loss. Curator: Engravings like this were intricate commercial products. The technique involved carving lines into a metal plate, usually copper, applying ink, and then using a press to transfer the image onto paper. Think of the workshop that would be producing these for popular consumption! Editor: Absolutely, and the classical tale is perfectly rendered. I see Daedalus here carefully constructing wings, emblems of both freedom and fatal hubris, while poor Icarus plunges to his watery end, his symbolic wings melting—a potent reminder of unchecked ambition. Curator: It's interesting how they've depicted the landscape. We see both classical ruins and what might be emerging industrial structures of the period co-existing, reflecting how this story could be seen in multiple eras. Editor: Precisely. Look at the distant city, it is like a Renaissance port that would have immediately made it visually contemporary, despite its basis in mythology. It's as much about that era as it is about Icarus himself. The crashing waves certainly give added drama to the moment Icarus plummets toward the water below! Curator: I agree; its wide distribution speaks to its popularity. By examining the paper quality, the type of ink used, we can uncover details about trade routes and access to these artistic commodities within the burgeoning print market. Editor: This image, brimming with coded meaning, carries significant cultural and psychological resonance that keeps the original story alive. That tension between human endeavor and inevitable consequence truly persists. Curator: Yes, it prompts us to reflect not only on this artistic era, but also on art production and its accessibility to wider audiences throughout the course of history. Editor: And the image really lingers, the tragic fall so well staged; Icarus becomes an archetype, an enduring symbol in the collective memory.

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