Mounted Chinese (Nankinjin no zu) c. 1861

Editor: Here we have Ikkōsai Yoshimori's "Mounted Chinese," a captivating woodblock print. The delicate lines and flat planes of color give it such a unique feel. What do you see in terms of its composition? Curator: Note the interplay between the graphic elements: the contrasting textures of the horse, patterned with circles, against the flat, almost abstract background. The artist focuses on linear form and surface pattern. What do you observe about the use of color? Editor: The limited color palette is interesting, and how the black clothing really makes the rider stand out. Curator: Precisely. The artist uses color not representationally, but structurally, guiding the eye and creating visual interest through contrast and repetition. It’s a powerful demonstration of form dictating content. Editor: That’s fascinating, thank you! I’ll definitely look at prints differently now.