Winter Landscape. Utterslev near Copenhagen by Albert Gottschalk

Winter Landscape. Utterslev near Copenhagen 1887

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painting, plein-air, oil-paint, canvas, impasto

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painting

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impressionism

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plein-air

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oil-paint

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landscape

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impressionist landscape

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canvas

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impasto

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expressionist

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realism

Dimensions: 33 cm (height) x 48.5 cm (width) (Netto), 43.2 cm (height) x 58.7 cm (width) x 4.4 cm (depth) (Brutto)

Albert Gottschalk painted this "Winter Landscape, Utterslev near Copenhagen," with oil on canvas. Imagine Gottschalk, a Jew in late 19th-century Denmark, grappling with identity. He moved to Paris at one point to pursue painting, but there, he faced antisemitism. How did this sense of existing both within and outside of Danish society shape his artistic vision? Notice how the scene captures a moment of stillness. The muted palette and bare trees evoke a sense of quiet solitude. The landscape tradition in painting often reflects ideas about national identity and belonging. Does this artwork represent an idealized vision, or does it offer a more nuanced perspective? The muted colors and the lonely road suggest a feeling of isolation, perhaps echoing Gottschalk’s personal experiences. In a time of social change, Gottschalk's painting encourages us to reflect on our own sense of place and identity, while the delicate brushstrokes remind us of the simple beauty in quiet moments.

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Comments

statensmuseumforkunst's Profile Picture
statensmuseumforkunst over 1 year ago

Albert Gottschalk found many of his motifs in what was at the time the outskirts of Copenhagen. Here, he painted a scene from Utterslev north of Copenhagen on a clear and frosty day. The foreground is shaded, but in the middle distance and between the trees we sense the strong sunlight that makes the snow luminous. Impressionistic depictions As an open-air painter, Gottschalk finished his paintings on-site, usually completing them in a single sitting or as an unbroken process. Indeed, the picture has been painted with rapid, broad brushstrokes, and as in Impressionistic depictions of a single moment, the pure colours have been dragged into the shaded areas. Gottschalk's Impressionistic endeavour Within the Danish art scene of the decades preceding 1900, only Theodor Philipsen (1840-1920) and Anna Ancher (1859-1935) can be said to consistently use an Impressionistic touch in larger groups of work. Nevertheless, a number of Gottschalk’s works also evince this endeavour to let painting be about the purely painterly, about light and colour made palpable. A naturalistic style of atmospheric painting However, the main impression conveyed by his art is similar to e.g. the art of P.S. Krøyer (1851-1909) insofar as it is a primarily naturalistic style of atmospheric painting where Impressionistic elements will occasionally be employed in order to depict the chosen subject matter as realistically as possible.

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