Roto Broil by Roy Lichtenstein

Roto Broil 1961

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acrylic-paint

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pop art-esque

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appropriation

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acrylic-paint

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comic

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men

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pop-art

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modernism

Dimensions: 174 x 174 cm

Copyright: Roy Lichtenstein,Fair Use

Curator: Welcome. Before us hangs Roy Lichtenstein’s “Roto Broil” created in 1961, rendered in acrylic paint. What are your initial thoughts? Editor: Striking. It assaults the senses, really. The color is so unapologetically brash, almost vulgar. There's a certain banality, yet the size suggests it should be considered something more monumental. Curator: Monumental banality, perhaps? Lichtenstein isolates and enlarges everyday objects using a vocabulary drawn from commercial printing, Benday dots often feature in his work but aren't utilized here. It presents a rather curious dynamic. Editor: The depiction of domesticity is so clinical, devoid of warmth. One could suggest the imagery becomes a critical commentary on the American obsession with consumerism and idealized post-war lifestyles. Mass production turns into alienation, of course. Curator: A sharp observation. Consider also that in extracting the object—the appliance, from any kind of kitchen or social context, he forces the viewer to confront its formal qualities—the bold lines, the graphic interplay of color, form and texture as pure design. Is it celebrating it or condemning it? Editor: Perhaps he critiques the cultural values that are, or were, implicitly linked to gender roles within the domestic sphere. By presenting the technology as cold, graphic, it perhaps removes any perceived romanticism with labour-saving technology, to highlight an ironic perspective. Curator: And within that, it almost seems like he elevates an appliance to the status of high art. There’s a kind of Warholian play at hand. Where do we find value, both intrinsic and constructed? Editor: Certainly, Lichtenstein’s "Roto Broil" presents a biting perspective on mass culture. We are encouraged to critically consider the values our consumer landscape promotes, reflecting deeply gendered experiences. Curator: A clever dance of form and content. The surface is almost deceptively simplistic, yet contains layers of conceptual and artistic tension. Editor: Leaving us with an important lesson on understanding the societal messages behind even our seemingly simple or everyday consumer products, wouldn't you agree?

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