Muziekinstrumenten uit de collectie Daniël François Scheurleer, tentoongesteld in Pulchri Studio in 1893 by Adrianus van der Grient

Muziekinstrumenten uit de collectie Daniël François Scheurleer, tentoongesteld in Pulchri Studio in 1893 1893

0:00
0:00

print, photography

# 

print

# 

photography

Dimensions: height 221 mm, width 280 mm

Copyright: Rijks Museum: Open Domain

Curator: At first glance, the scene almost overwhelms you with a multitude of instruments. There is so much texture here. Editor: Absolutely! The rhythmic repetition of forms speaks to cultural memory and continuity, a tangible link to our auditory past. Look at those lyres – echoing instruments from antiquity that conjure very specific histories. Curator: This is a photograph titled "Muziekinstrumenten uit de collectie Daniël François Scheurleer, tentoongesteld in Pulchri Studio in 1893" by Adrianus van der Grient. It showcases, as the title indicates, a display of musical instruments. Editor: The way they are all assembled really is curious. Note how many are stringed and positioned like ancestral portraits—an almost shrine-like quality arises. Is it reverence, I wonder, or preservation that led to their display this way? And that backdrop…the striped wallpaper and patterned rug! It's pure late 19th-century bourgeois taste on overdrive. Curator: It’s a confluence of social and artistic materials; it looks staged and posed, reflecting the wealth that allows for collection, display, and documenting of musical artifacts, which highlights access and the culture of refined domestic leisure. It must have been quite the event to see this impressive range on display. I wonder what labor went into constructing and maintaining those pieces. Editor: It presents an interesting question regarding cultural valuation. Did viewers focus on utility—a craftsperson's appreciation of functional forms—or imbue them with deeper meanings of heritage, a conversation with ancestors? Each carefully chosen ornament is communicating something, acting almost as mnemonic devices to carry on emotional knowledge between players, songs, and generations. Curator: True. It offers insights into late 19th-century values that intertwined music with material possessions as an act of high culture. The photograph itself documents that status as a luxury item or product of the emergent creative class. It seems poised at the intersection of craft and artistry, commodity, and art piece. Editor: Ultimately, images such as this reveal how artifacts communicate values that resonate throughout diverse cultural groups across great lengths of time. Thank you. Curator: Thank you.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.