drawing, print
drawing
figuration
form
expressionism
line
nude
Dimensions: image (irregular): 13.3 x 7.3 cm (5 1/4 x 2 7/8 in.) sheet: 17.5 x 12.4 cm (6 7/8 x 4 7/8 in.)
Copyright: National Gallery of Art: CC0 1.0
Curator: We're looking at "Crouching Nude Figure," a 1910 print by Max Weber. Editor: The texture leaps out at me – a rough, almost violently worked surface around this delicately suggested form. It gives off a raw, unsettling feeling. Curator: Yes, that expressive quality certainly places it within the Expressionist movement. Nudes, of course, have a long art historical lineage, often representing idealised beauty. Here, however, Weber seems to be using the nude to explore something much more…visceral. The crouching posture speaks to vulnerability and introspection. Editor: Absolutely. I am thinking about what went into the making of this print. The artist carving away material to reveal the figure from within – a kind of reverse process. How that laborious method inflects meaning. Curator: Interesting, thinking about the labor, since the crouching pose, a common artistic choice, can symbolize submission or humility, suggesting a yielding to external pressures. Are the textures mirroring that tension between interior life and external forces? Editor: I'd wager so. Weber clearly isn't interested in idealized form. The texture fights with it, even threatens to swallow it entirely. It shows the physical reality of production, not to obscure its means. In my view, the means is the meaning. The making mirrors a wrestling match, one fought between a subjective and physical body. Curator: That aligns well with the period – artists grappling with new ways of representing interior states in a rapidly industrializing world. One finds familiar themes across religion. Crouching can often indicate respect, prayer and contrition. Editor: I suppose both ways of seeing suggest ways in which we have felt overwhelmed through our physical and immaterial relationships to external conditions. It can feel productive to come up against such overwhelming images; at least that's how this one sits with me. Curator: A haunting image that stays with you, isn't it? Editor: Most certainly. This print leaves us plenty to reflect upon.
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