Geranium phaeum (bølgekronet storkenæb); Geranium sylvaticum (skov-storkenæb) by Hans Simon Holtzbecker

Geranium phaeum (bølgekronet storkenæb); Geranium sylvaticum (skov-storkenæb) 1649 - 1659

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drawing, painting, gouache, watercolor

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drawing

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baroque

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painting

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gouache

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watercolor

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coloured pencil

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botanical art

Dimensions: 505 mm (height) x 385 mm (width) (bladmaal)

Curator: These delicately rendered geraniums offer such serenity. There's a kind of quiet knowing in botanical art. Editor: Right? Like peeking into a secret garden filled with old remedies and forgotten spells. It gives off very 'cottage witch' vibes, somehow innocent and slightly melancholy, don’t you think? Curator: Precisely. Let me set the scene a little more precisely for our listeners. What we’re looking at is a watercolor and gouache on paper, titled "Geranium phaeum; Geranium sylvaticum". It was created by Hans Simon Holtzbecker, dating sometime between 1649 and 1659. Holtzbecker was a key figure in botanical illustration during the Danish Golden Age. Editor: 'Danish Golden Age'... Fancy! I wonder what those geraniums would say if they could talk! Given they were captured on paper so long ago. All those layers of time, all that symbolism... do the various flower forms hint at particular ailments they might remedy, or perhaps evoke different moods? The darker tones, for example. Curator: It's definitely worth considering the symbolism. Darker flowers often represent melancholy or mystery, whereas the brighter shades can signify joy or affection. Then think about the context. During the 17th century, botanical studies weren't just scientific; they also reflected a deep fascination with the natural world and a desire to understand its symbolic language. The geranium itself is historically associated with gentility and determination – an interesting pair, maybe they felt like these times called for gentle resolution? Editor: Wow. I could stare at these beauties forever. I feel transported, like I am right there alongside Holtzbecker, watching these blooms from a different dimension. It is almost hypnotic. You can really feel how each mark comes directly from his sensitive observations, that intense dedication to catching nature's essence. Curator: Holtzbecker did leave an incredible legacy. We're lucky to be in dialogue with his careful gaze across all the centuries. Editor: A quiet moment suspended in pigment... Makes you appreciate nature’s quiet, gentle moments all over again.

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