Samuel Bernard (1651–1739) 1722 - 1732

Editor: This marble bust of Samuel Bernard by Guillaume Coustou the Elder, dating from 1722 to 1732, is just stunning! The detail in the wig is incredible, almost lace-like. How do you interpret the symbolism in a piece like this, considering its time? Curator: It’s essential to remember that portraits like this one weren't just about capturing a likeness. This was the height of the Baroque era, deeply intertwined with power and status. How do you think Bernard's representation here, with his elaborate wig and attire, relates to the socio-political climate of the time? Editor: I guess it’s about projecting wealth and influence, right? The wig itself seems almost performative, like a symbol of belonging to the elite class. Curator: Precisely. And who was Samuel Bernard? Understanding his identity as a prominent banker is crucial. His financial power, likely gained at the expense of the many, fueled the extravagance that defines this era. So, the sculpture becomes more than just a portrait; it's a material manifestation of economic inequality and the construction of identity through wealth. Does that change how you view the sculpture now? Editor: It does! I see the sculpture not just as a beautiful object, but also as a statement of the disparities in society back then and how class and wealth are always intentionally displayed. Thank you, it gives me much to reflect on. Curator: It highlights the complexities of art historical interpretation, revealing that art objects can speak to us in myriad ways.