Four Bracelets by Igbo

Four Bracelets c. 19th century

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carving, sculpture, wood

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african-art

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carving

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form

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jewelry

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geometric

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sculpture

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costume

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wood

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yoruba-art

Dimensions: 8.3 × 12.7 × 10.2 cm (3 1/4 × 5 × 4 in.); 8.3 × 10.8 × 9.5 cm (3 1/4 × 4 1/4 × 3 3/4 in.); 7.9 × 10.8 × 8.3 cm (3 1/8 × 4 1/4 × 3 1/4 in.); 7.6 × 8.9 × 7 cm (3 × 3 1/2 × 2 3/4 in.)

Copyright: Public Domain

These bracelets were created by an Igbo artist, and are currently held at the Art Institute of Chicago. The smooth, curved surfaces of these bracelets hint at the artistry involved in their creation, but to truly appreciate them, we have to consider their cultural significance. In Igbo society, bracelets like these weren't just accessories; they were deeply embedded in the social fabric and performed a number of functions. Worn by men, they could signify status, profession, or achievements. The bracelets were a visual language that spoke volumes about the wearer’s identity, with the material, design, and number of bracelets all contributing to the narrative. The choice of ivory and wood is meaningful. Each material embodies unique qualities and carries different connotations. Wood, for instance, might represent a connection to the earth and to ancestral heritage, while ivory can denote wealth. Wearing them is a conscious act of self-representation. These bracelets offer a glimpse into the ways in which personal adornment can serve as a powerful means of cultural expression.

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