Kong Frode VI by Anonymous

Kong Frode VI 1646

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print, engraving

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portrait

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medieval

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baroque

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print

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old engraving style

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history-painting

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engraving

Dimensions: 140 mm (height) x 100 mm (width) (bladmaal)

Curator: Before us we have a historical print titled "Kong Frode VI," dating back to 1646, currently residing in the Statens Museum for Kunst. Editor: It's immediately striking – the density of the lines, creating a dramatic chiaroscuro effect. The figure is contained within a sharply defined oval, almost like an emblem. Curator: Yes, and as an engraving, the piece inherently speaks to power structures and representation of status. Who was Kong Frode VI within the larger historical and political narrative of the time? And whose story does the print suppress, erase, or deny? How might his rule have affected, specifically, the experiences of women or the poor? Editor: Let's not overlook the technical aspects, either. Note the rendering of the fabrics – the softness of his cap in stark contrast to the hard gleam of the crown. It is fascinating to observe how the engraver suggests volume and texture merely through these subtle shifts in line density and direction. Curator: The inscriptions, which identify him as 'Frotho VI, son of Canute, King of Denmark and part of England', connects him to lineages of power – both real and constructed, depending on what was included in those historic claims. It asks us to consider concepts of sovereignty and historical narrative: Who defines "history" and for what purposes? The Latin inscription calls him ‘reparator’, highlighting him as one who restored something – something linked to Christianity, specifically, according to the engraving. What damage did his restorative actions inflict upon other social structures and belief systems of the time? Editor: Absolutely. This work epitomizes technical refinement through semiotic systems; consider how visual signs communicate messages of dominance and sophistication that would have been immediately legible to the viewer. It embodies precision. Curator: Seeing the visual vocabulary through which 17th-century power circulated definitely expands our view of contemporary narratives concerning race, gender, and even globalization. Editor: A piece that demonstrates perfectly how artistry can transform even a relatively austere portrait into something compelling.

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