Architecture (Arquitraicture) 1540 - 1583

Curator: This striking engraving is entitled "Architecture," sometimes rendered as "Arquitraicture." It’s attributed to Étienne Delaune, and dates from between 1540 and 1583, placing it firmly in the Mannerist period. It is currently held here at the Metropolitan Museum of Art. Editor: Whoa! I’m immediately struck by how theatrical this image is. It feels like a stage set, what with the figure standing under that canopied structure. And that stern, almost severe looking female figure...she’s holding what appears to be some kind of architectural tool. But overall, I feel a slightly unsettling vibe emanating from the work. It's incredibly intricate. Curator: Yes, the artist embraces ornamentation and complexity that's very characteristic of Mannerism, in contrast to the ideals of the Renaissance that came before. This allegory of Architecture places emphasis on idealized female nudes set within decorative frameworks to impart meaning. The architectural references, of course, highlight Architecture's significance and artistic prowess. Delaune was a master goldsmith, so all that ornament feels so appropriate! Editor: Absolutely! I noticed the detail immediately – all the swirling patterns and grotesque figures are so meticulously rendered. I imagine he took pride in his artistry; maybe trying to show his mastery of the medium by including so many small forms that must have been hell to capture! Does her crown hold some meaning, do you think? Curator: Quite possibly. Allegorical figures such as Architecture are often crowned to denote their elevated status and the significance of the virtues or concepts they represent. Delaune very likely was engaging with artistic and intellectual debates surrounding the role of Architecture in society. Editor: I’m really feeling this image on an emotional level. There’s a definite energy that's both magnetic and slightly menacing! The starkness really helps make all the action visible too. Curator: Well, engravings, because of their reproductive capabilities, were quite important during this era, as it gave a broader audience access to such images; access to information. I'm grateful for being able to look at Delaune's work and how his influence shaped society's ideas on this very complex topic. Editor: Yes, engravings open the world to broader ideas in unexpected packages! Thank you!