Side Porch by Paul Strand

Side Porch 1946

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photography

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still-life-photography

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photography

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historical photography

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monochrome photography

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modernism

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realism

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monochrome

Dimensions: overall: 24.3 x 19.2 cm (9 9/16 x 7 9/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This is "Side Porch", a photograph by Paul Strand taken in 1946. What do you think? Editor: Stark. Almost desolate. The high contrast, that deep threshold...it’s undeniably haunting. Curator: It's intriguing you say desolate. For Strand, I think there's a celebration of the ordinary here. It is modernist in its starkness but deeply realistic, capturing, for me, a reverence for vernacular architecture. There is, almost, the memory of life there, in the quiet objects… Editor: Absolutely. And those ordinary objects, the broom, the whisk hanging there…they become imbued with a sense of lived experience. I see that. However, consider the historical context. The photograph was taken post-war. To me, it speaks volumes about labor, particularly the often-invisible domestic labor performed largely by women in rural America. That silent witness... Curator: I love the 'silent witness’ idea. Those utilitarian objects are rendered with such clarity, such care. Look at the way the light catches the broom's texture. This clarity moves beyond the literal for me, entering into an almost painterly relationship to shadow, line, and tonality. It is also beautiful and strange, because it feels timeless, as much about his time, as ours. Editor: And doesn't that very timelessness invite us to question who has access to this kind of 'timeless' existence? Who has the privilege to reflect, and whose labor allows them to do so? Those tools…they represent not just simple living, but perhaps limited opportunities. Curator: You’ve reframed how I am seeing this! I’ve been so focused on the form and inherent aesthetic beauty I had forgotten to think about… Editor: Strand, while perhaps not intentionally, invites us into a dialogue about what we value, and perhaps more crucially, what we overlook. It speaks to an ongoing reckoning. Curator: Absolutely, what an interesting conversation; the beauty, the artistry combined with your crucial point that we question whose beauty gets remembered and how labor underpins it all. It certainly stays with you.

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