Saint Demetrios and His Companions c. 17th century

Curator: This is Jacques Callot’s “Saint Demetrios and His Companions,” a small etching measuring only about 7.6 by 4.9 centimeters, currently held at the Harvard Art Museums. Editor: It feels intensely claustrophobic, despite the suggestion of a crowd and open space. The tight oval frame and the dense hatching create an oppressive atmosphere. Curator: As an etching, the physical act of repeated scratching into the metal plate is vital to understanding the image's creation and dissemination as a printed object. Consider the labour involved. Editor: The figure of Demetrios, though, is central. The halo marks him as sacred, but his calm acceptance in the face of violence speaks volumes about early Christian martyrdom and faith. Curator: Indeed, Callot's prints were produced and circulated widely, creating accessible narratives for a broad audience. Cheap labour, mass production, impactful message. Editor: And the enduring symbolism of sacrifice. It’s still incredibly powerful. Curator: We've been given a glimpse into the materiality of faith and violence. Editor: And into the enduring potency of visual symbols in shaping our understanding.