Zittende naakte vrouw in landschap by Ker Xavier Roussel

Zittende naakte vrouw in landschap 1920 - 1935

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print, etching

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print

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etching

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landscape

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figuration

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watercolour illustration

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nude

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monochrome

Dimensions: height 250 mm, width 325 mm

Copyright: Rijks Museum: Open Domain

Curator: This is "Zittende naakte vrouw in landschap," or "Seated Nude Woman in Landscape," an etching by Ker Xavier Roussel, created sometime between 1920 and 1935. Editor: Oh, it has such a melancholic air to it! The stark black and white contrasts create this really contemplative, almost dreamlike scene. Is she lonely, or just... at peace? Curator: Roussel often explored idyllic scenes, and this work reflects a broader trend of revisiting classical themes within modernism. There’s a real tension here between the figure's naturalism and the rather abstracted landscape around her. Think about how often we view female nudes through the lens of classical mythology. What happens when we place this classically-inspired figure in what otherwise seems like a pretty ordinary, quiet spot? Editor: It’s almost voyeuristic, isn’t it? Like we've stumbled upon her private moment of reflection. The etching technique, with all its intricate lines, lends a vulnerability, as if revealing secrets etched into the very fabric of the world. There is also a question of gender at stake; did Roussel want the observer to see women's bodies in landscapes, in peace with Nature? Curator: The social and art historical currents inform my reading: post-war anxieties perhaps projected onto the female form. This print also invites considering who might be purchasing these images and to what effect? But what draws me to Roussel, beyond that analytical lens, is the evocation of these deeper, quieter narratives. Editor: Agreed. This is more than a mere nude in a landscape; it’s an invitation to sit alongside her and consider your place in it. Even without bright color and detail, a profound intimacy remains. Curator: It’s a potent image, that continues to resonate, raising questions about perception, vulnerability, and the quiet beauty of solitude. Editor: Yes, that space between the subject, and the natural surrounding is where its emotive power grows, doesn’t it?

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