Sparren in Whiddon Park c. 1850 - 1880

This is a stereograph of ‘Sparren in Whiddon Park’, made by Francis Bedford in the 19th century. Bedford was one of the most prolific landscape photographers of the Victorian era. He worked at a time when England was expanding its empire and photography was becoming more accessible. The image captures a serene scene of fir trees in Whiddon Park. In 19th century England, land ownership was a significant marker of class and power. Parks like Whiddon were both symbols of wealth and carefully curated expressions of control over nature. Bedford’s art often idealized landscapes, presenting a view of harmony that may have glossed over the social and economic tensions present at the time. Consider how photography, even then, could be used to shape perceptions and reinforce certain social narratives. How does Bedford's work reflect or perhaps obscure the complex social and economic realities of Victorian England?